A_AT1 Festival_NN1 of_IO One-Shots_NN2 and_CC Shoulda-Beens_NP1 NEW_NP1 ORLEANS_NP1 --_NN1 "_" You_PPY 'll_VM be_VBI back_RP again_RT ,_, "_" sang_VVD Barry_NP1 &;_NULL the_AT Remains_VVZ ,_, starting_VVG their_APPGE headlining_JJ set_NN1 on_II Tuesday_NPD1 night_NNT1 at_II the_AT eighth_MD annual_JJ Ponderosa_NP1 Stomp_NP1 ._. 
It_PPH1 's_VBZ a_AT1 song_NN1 about_II a_AT1 straying_JJ girlfriend_NN1 ,_, but_CCB the_AT Remains_VVZ could_VM have_VHI been_VBN singing_VVG about_II themselves_PPX2 and_CC many_DA2 of_IO the_AT four_MC dozen_NNO acts_NN2 --_JJ rockabillies_NN2 ,_, bluesmen_NN2 ,_, R_ZZ1 &B;_NULL shouters_NN2 ,_, swamp-rockers_NN2 ,_, honky-tonkers_NN2 ,_, psychedelic_JJ bands_NN2 --_NN1 playing_VVG the_AT House_NN1 of_IO Blues_NN2 here_RL in_II the_AT Stomp_NP1 's_GE two_MC nights_NNT2 of_IO nine-hour_JJ shows_NN2 ._. 
In_II the_AT mid-1960s_NN2 Barry_NP1 &;_NULL the_AT Remains_VVZ toured_VVN the_AT United_NP1 States_NP1 with_IW the_AT Beatles_NP2 and_CC made_VVD an_AT1 album_NN1 of_IO crafty_JJ ,_, surly_JJ garage-rock_NN1 ._. 
Then_RT they_PPHS2 broke_VVD up_RP ,_, becoming_VVG one_MC1 more_DAR rock-history_JJ footnote_NN1 ._. 
But_CCB there_EX are_VBR lives_NN2 beyond_II the_AT footnotes_NN2 ._. 
Musicians_NN2 turn_VV0 to_II other_JJ groups_NN2 or_CC jobs_NN2 ,_, and_CC recordings_NN2 linger_VV0 ,_, awaiting_VVG rediscovery_NN1 ._. 
The_AT Ponderosa_NP1 Stomp_NP1 finds_VVZ the_AT musicians_NN2 behind_II the_AT vinyl_NN1 relics_NN2 ,_, and_CC on_II the_AT Stomp_NP1 's_GE two_MC stages_NN2 many_DA2 of_IO its_APPGE performers_NN2 defied_VVD gray_JJ hair_NN1 and_CC wrinkles_NN2 to_II belt_NN1 50-year-old_JJ songs_NN2 with_IW rowdy_JJ intent_NN1 ._. 
This_DD1 year_NNT1 ,_, on_II Wednesday_NPD1 night_NNT1 ,_, the_AT Stomp_NP1 reunited_VVD the_AT singer_NN1 Roy_NP1 Loney_NP1 and_CC the_AT guitarist_NN1 Cyril_NP1 Jordan_NP1 ,_, the_AT two_MC original_JJ songwriters_NN2 of_IO the_AT Flamin'_JJ Groovies_NN2 ,_, a_AT1 fuzz-toned_NN1 ,_, post-psychedelic_JJ ,_, pre-punk_JJ San_NP1 Francisco_NP1 band_NN1 ;_; they_PPHS2 had_VHD not_XX performed_VVN a_AT1 full_JJ set_NN1 together_RL since_CS Mr._NNB Loney_NP1 left_VVD the_AT band_NN1 in_II 1971_MC ._. 
Backed_VVN by_II the_AT garage-rock_JJ revivalists_NN2 the_AT A-Bones_NN2 ,_, along_II21 with_II22 the_AT guitarist_NN1 Ira_NP1 Kaplan_NP1 from_II Yo_UH La_NP1 Tengo_NP1 ,_, their_APPGE songs_NN2 summed_VVD up_RP the_AT Stomp_NP1 :_: steeped_VVN in_II older_JJR rockabilly_RR and_CC R_ZZ1 &B;_NULL and_CC ,_, in_II songs_NN2 like_II "_" Teenage_JJ Head_NN1 "_" and_CC "_" Shake_VV0 Some_DD Action_NN1 ,_, "_" hopped_VVD up_RP on_II hormones_NN2 ,_, noise_NN1 and_CC anarchic_JJ glee_NN1 ._. 
Mr._NNB Loney_NP1 and_CC Mr._NNB Jordan_NP1 embraced_VVD after_II the_AT set_NN1 ._. 
The_AT Stomp_NP1 's_GE long_JJ lineup_NN1 also_RR included_VVD the_AT 80-year-old_JJ Alabama_NP1 bluesman_NN1 and_CC harmonica_NN1 player_NN1 Jerry_NP1 McCain_NP1 ;_; Lady_NNB Bo_NP1 ,_, who_PNQS played_VVD guitar_NN1 in_II Bo_NP1 Diddley_NP1 's_GE band_NN1 when_CS he_PPHS1 made_VVD his_APPGE hits_NN2 in_II the_AT late_JJ 1950s_MC2 ;_; Wanda_NP1 Jackson_NP1 ,_, a_AT1 rockabilly_JJ singer_NN1 who_PNQS had_VHD Elvis_NP1 Presley_NP1 as_II a_AT1 mentor_NN1 ;_; the_AT gospel-charged_JJ soul_NN1 singers_NN2 Otis_NP1 Clay_NN1 and_CC Howard_NP1 Tate_NP1 ;_; the_AT organ-driven_JJ garage_NN1 psychedelia_NN1 of_IO ?_? and_CC the_AT Mysterians_NN2 ;_; the_AT swamp-pop_NN1 drummer_NN1 and_CC singer_NN1 Warren_NP1 Storm_NN1 ;_; and_CC the_AT rambunctious_JJ rockabilly_JJ singer_NN1 and_CC guitarist_NN1 Ray_NP1 Sharpe_NP1 ._. 
Lazy_JJ Lester_NP1 ,_, the_AT harmonica-playing_JJ Louisiana_NP1 bluesman_NN1 who_PNQS released_VVD "_" Pondarosa_NP1 Stomp_NP1 "_" as_II the_AT B-side_NN1 of_IO a_AT1 1966_MC Excello_NP1 Records_VVZ single_JJ ,_, was_VBDZ also_RR on_II hand_NN1 ,_, with_IW Presley_NP1 's_GE longtime_JJ guitarist_NN1 James_NP1 Burton_NP1 and_CC the_AT organist_NN1 Stanley_NP1 Dural_NP1 ,_, a_AT1 k_ZZ1 a_AT1 Buckwheat_NP1 Zydeco_NP1 ,_, among_II his_APPGE backup_NN1 musicians_NN2 ._. 
The_AT Ponderosa_NP1 Stomp_NP1 festival_NN1 was_VBDZ started_VVN in_II New_NP1 Orleans_NP1 by_II a_AT1 record_NN1 collector_NN1 devoted_VVD to_II the_AT obscure_JJ and_CC the_AT untamed_JJ :_: Ira_NP1 Padnos_NP1 ,_, an_AT1 anesthesiologist_NN1 who_PNQS also_RR calls_VVZ himself_PPX1 Dr._NNB Ike_NP1 and_CC who_PNQS introduced_VVD bands_NN2 on_II Wednesday_NPD1 night_NNT1 wearing_VVG scrubs_NN2 and_CC a_AT1 fez_NN1 ._. 
(_( On_II Tuesday_NPD1 he_PPHS1 wore_VVD an_AT1 American_JJ Indian_JJ headdress_NN1 with_IW horns_NN2 ._. )_) 
Now_RT a_AT1 nonprofit_JJ foundation_NN1 ,_, the_AT Stomp_NN1 in_II the_AT last_MD two_MC years_NNT2 has_VHZ presented_VVN daytime_NNT1 conferences_NN2 in_II which_DDQ musicians_NN2 and_CC experts_NN2 delve_VV0 into_II memories_NN2 for_IF discussions_NN2 and_CC oral_JJ histories_NN2 ._. 
The_AT foundation_NN1 has_VHZ also_RR produced_VVN shows_NN2 in_II Austin_NP1 ,_, Tex._NP1 ;_; Memphis_NP1 ;_; and_CC ,_, this_DD1 year_NNT1 ,_, New_NP1 York_NP1 City_NN1 ._. 
Midsummer_NNT1 Night_NNT1 Swing_NN1 and_CC the_AT Lincoln_NP1 Center_NN1 Festival_NN1 have_VH0 engaged_VVN the_AT Stomp_NN1 to_II book_NN1 a_AT1 night_NNT1 each_DD1 of_IO Memphis_NP1 soul_NN1 (_( July_NPM1 16_MC )_) ,_, rockabilly_RR (_( July_NPM1 17_MC )_) and_CC New_NP1 Orleans_NP1 R_ZZ1 &B;_NULL (_( July_NPM1 19th_MD )_) ._. 
Dr._NNB Ike_NP1 does_VDZ n't_XX just_RR choose_VVI musicians_NN2 ;_; he_PPHS1 also_RR ,_, often_RR ,_, persuades_VVZ them_PPHO2 to_TO revive_VVI songs_NN2 they_PPHS2 have_VH0 n't_XX played_VVN in_II years_NNT2 or_CC decades_NNT2 ._. 
Concentrating_VVG on_II lesser-known_JJ tunes_NN2 and_CC performers_NN2 ,_, the_AT Stomp_NN1 can_VM stir_VVI thoughts_NN2 about_II careers_NN2 ,_, genres_NN2 ,_, songwriting_NN1 and_CC luck_NN1 --_NN1 not_XX to_TO mention_VVI the_AT catalytic_JJ effect_NN1 of_IO ex-girlfriends_NN2 in_II the_AT history_NN1 of_IO rock_NN1 'n'_CC roll_NN1 ._. 
Heartache_NN1 and_CC smoldering_VVG lust_NN1 filled_VVD set_VVN after_II set_NN1 ._. 
Dan_NP1 Penn_NP1 sang_VVD the_AT hymnlike_JJ hits_NN2 he_PPHS1 wrote_VVD for_IF others_NN2 (_( "_" I_PPIS1 'm_VBM Your_APPGE Puppet_NN1 ,_, "_" "_" Do_VD0 Right_JJ Woman_NN1 ,_, "_" "_" Dark_JJ End_NN1 of_IO the_AT Street_NN1 "_" )_) in_II a_AT1 duo_NN1 with_IW the_AT keyboardist_NN1 Bobby_NP1 Emmons_NP1 ,_, revealing_VVG a_AT1 rich_JJ ,_, hickory-cured_JJ voice_NN1 of_IO his_APPGE own_DA ._. 
Little_RR Joe_NP1 Washington_NP1 ,_, a_AT1 Texas_NP1 bluesman_NN1 ,_, got_VVD intensely_RR physical_JJ with_IW his_APPGE guitar_NN1 ,_, squealing_VVG in_II falsetto_NN1 "_" Daddy_NN1 ,_, do_VD0 n't_XX stop_VVI !_! "_" between_II solos_NN2 played_VVN with_IW his_APPGE mouth_NN1 on_II the_AT strings_NN2 ._. 
Both_RR nights_NNT2 were_VBDR full_JJ of_IO performers_NN2 citing_VVG dates_NN2 and_CC reminiscing_VVG over_RP recording_VVG sessions_NNT2 and_CC regional_JJ hits_NN2 and_CC misses_NN2 ._. 
Mr._NNB McCain_NP1 ,_, the_AT Alabama_NP1 bluesman_NN1 ,_, introduced_VVD one_MC1 song_NN1 by_II saying_VVG that_CST when_CS he_PPHS1 recorded_VVD it_PPH1 in_II 1959_MC ,_, his_APPGE manager_NN1 had_VHD n't_XX gotten_VVN it_PPH1 played_VVN on_II radio_NN1 stations_NN2 ._. 
Then_RT the_AT Fabulous_JJ Thunderbirds_NP2 recorded_VVD the_AT song_NN1 ,_, "_" She_PPHS1 's_VBZ Tuff_NP1 ,_, "_" in_II 1977_MC :_: "_" Worldwide_RL hit_VVD ,_, "_" Mr._NNB McCain_NP1 said_VVD with_IW a_AT1 shrug_NN1 ._. 
Ms._NNB Jackson_NP1 noted_VVD that_CST her_APPGE song_NN1 "_" Fujiyama_NP1 Mama_NN1 ,_, "_" which_DDQ cites_VVZ Nagasaki_NP1 and_CC Hiroshima_NP1 and_CC vows_NN2 ,_, "_" I_PPIS1 can_VM cause_VVI destruction_NN1 just_RR like_II the_AT atom_NN1 bomb_NN1 ,_, "_" was_VBDZ a_AT1 No._NN1 1_MC1 hit_VVD not_XX in_II the_AT United_NP1 States_NP1 but_CCB in_II Japan_NP1 ._. 
"_" I_PPIS1 do_VD0 n't_XX think_VVI they_PPHS2 really_RR understood_VVD the_AT lyrics_NN2 ,_, "_" she_PPHS1 said_VVD with_IW a_AT1 smile_NN1 ._. 
She_PPHS1 drew_VVD a_AT1 huge_JJ response_NN1 for_IF "_" Funnel_NN1 of_IO Love_NN1 "_" --_NN1 an_AT1 old_JJ B-side_NN1 that_CST ,_, she_PPHS1 said_VVD ,_, collectors_NN2 had_VHD urged_VVN her_PPHO1 to_TO perform_VVI onstage_JJ ._. 
The_AT Stomp_NN1 also_RR celebrates_VVZ sidemen_NN2 :_: the_AT studio_NN1 musicians_NN2 behind_II memorable_JJ licks_NN2 and_CC solos_NN2 ._. 
Dennis_NP1 Coffey_NP1 ,_, the_AT guitarist_NN1 who_PNQS psychedelicized_VVD Temptations_NN2 songs_NN2 like_II "_" Cloud_NN1 Nine_MC ,_, "_" revealed_VVD the_AT makings_NN2 of_IO his_APPGE jittery_JJ wah-wah_FU funk_NN1 :_: nearly_RR constant_JJ tremolo_NN1 strumming_VVG and_CC twitchy_JJ improvisations_NN2 that_CST make_VV0 every_AT1 note_NN1 palpitate_NN1 with_IW syncopation_NN1 ._. 
Herbert_NP1 Hardesty_NP1 ,_, the_AT saxophonist_NN1 who_PNQS was_VBDZ a_AT1 mainstay_NN1 on_II Fats_NN2 Domino_NN1 's_GE recordings_NN2 ,_, sat_VVD in_RP with_IW many_DA2 performers_NN2 on_II both_RR nights_NNT2 ,_, showing_VVG his_APPGE jazz_NN1 leanings_NN2 ._. 
Classie_NP1 Ballou_NP1 ,_, a_AT1 stinging_JJ Louisiana_NP1 guitarist_NN1 who_PNQS led_VVD a_AT1 band_NN1 with_IW his_APPGE children_NN2 and_CC a_AT1 grandchild_NN1 ,_, had_VHD also_RR been_VBN a_AT1 studio_NN1 musician_NN1 for_IF the_AT zydeco_NN1 accordionist_NN1 Boozoo_NP1 Chavis_NP1 and_CC the_AT R_NP1 &B;_NULL singer_NN1 Rosco_NP1 Gordon_NP1 ._. 
And_CC the_AT unassuming_JJ Mr._NNB Burton_NP1 ,_, who_PNQS has_VHZ also_RR worked_VVN with_IW Rick_NP1 Nelson_NP1 ,_, Emmylou_NP1 Harris_NP1 and_CC Elvis_NP1 Costello_NP1 ,_, lent_VVD his_APPGE twangy_JJ ,_, articulate_VV0 ,_, brilliant_JJ leads_NN2 to_II the_AT rockabilly_JJ singer_NN1 Dale_NP1 Hawkins_NP1 --_NN1 they_PPHS2 collaborated_VVD on_II the_AT 1957_MC hit_VVD "_" Susie_NP1 Q_ZZ1 "_" --_JJ as_II31 well_II32 as_II33 Lazy_JJ Lester_NP1 and_CC Ms._NNB Jackson_NP1 ._. 
One_MC1 key_NN1 to_II the_AT Ponderosa_NP1 Stomp_NP1 is_VBZ its_APPGE backup_NN1 bands_NN2 ,_, enthusiastic_JJ students_NN2 of_IO the_AT songs_NN2 and_CC musicians_NN2 they_PPHS2 join_VV0 onstage_JJ ._. 
Along_II21 with_II22 the_AT A-Bones_NN2 ,_, it_PPH1 had_VHD Deke_NP1 Dickerson_NP1 and_CC the_AT Ecco-Fonics_NP1 as_CSA rockabilly_RR and_CC country_NN1 specialists_NN2 and_CC the_AT Bo-Keys_NN2 for_IF funk_NN1 and_CC soul_NN1 ._. 
The_AT guitarist_NN1 Lil'_NP1 Buck_NN Sinegal_JJ and_CC the_AT Topcats_NP1 had_VHD Buckwheat_NP1 Zydeco_NP1 sitting_VVG in_RP on_II Wednesday_NPD1 night_NNT1 as_CSA they_PPHS2 steamed_VVD through_II New_NP1 Orleans_NP1 funk_NN1 and_CC R_ZZ1 &B;_NULL for_IF the_AT singer_NN1 Robert_NP1 Parker_NP1 and_CC a_AT1 string_NN1 of_IO one-song_JJ performances_NN2 by_II singers_NN2 including_II Tony_NP1 Owens_NP1 and_CC Rockie_NP1 Charles_NP1 ,_, like_II an_AT1 old_JJ New_NP1 Orleans_NP1 jukebox_NN1 stocked_VVN with_IW valuable_JJ collectors_NN2 '_GE items_NN2 ._. 
There_EX 's_VBZ something_PN1 wistful_JJ about_II the_AT Ponderosa_NP1 Stomp_NP1 ,_, with_IW so_RG many_DA2 performers_NN2 whose_DDQGE early_JJ triumphs_NN2 were_VBDR fleeting_VVG ,_, and_CC some_DD whose_DDQGE voices_NN2 have_VH0 n't_XX been_VBN treated_VVN well_RR by_II time_NNT1 ._. 
But_CCB more_RGR often_RR ,_, there_EX 's_VBZ exhilaration_NN1 ,_, a_AT1 chance_NN1 to_TO prove_VVI that_DD1 for_IF many_DA2 of_IO the_AT musicians_NN2 ,_, the_AT spirit_NN1 in_II their_APPGE songs_NN2 has_VHZ long_RR outlasted_VVN their_APPGE youth_NN1 ._. 
L._NP1 C._NP1 Ulmer_NP1 ,_, a_AT1 bluesman_NN1 from_II Mississippi_NP1 born_VVN in_II 1928_MC ,_, played_VVD eerie_JJ ,_, droning_VVG ,_, irregular_JJ rural-style_JJ solo_NN1 blues_NN2 ,_, now_RT electrified_VVD ._. 
At_II one_MC1 point_NN1 he_PPHS1 was_VBDZ joined_VVN onstage_JJ by_II three_MC women_NN2 in_II burlesque_JJ costumes_NN2 ,_, shimmying_VVG by_II his_APPGE side_NN1 ._. 
He_PPHS1 finished_VVD the_AT song_NN1 exultantly_RR :_: "_" I_PPIS1 feel_VV0 like_CS I_PPIS1 'm_VBM 16_MC again_RT !_! "_" 
