Scarecrow
Carver paced in the control room, watching over the front forty. The towers were spread out before him in perfect neat rows. They hummed quietly and efficiently and even with all he knew, Carver had to marvel at what technology had wrought. So much in so little space. Not a stream but a swift and torrid river of data flowing by him every day. Growing in front of him in tall steel stalks. All he needed to do was to reach in, to look and to choose. It was like panning for gold.
But it was easier.
He checked the overhead temperature gauges. All was perfect in the server room. He lowered his eyes to the screens on the workstations in front of him. His three engineers worked in concert on the current project. An attempted breach thwarted by Carver's skill and readiness. Now the reckoning.
The would-be intruder could not penetrate the walls of the farmhouse, but he had left his fingerprints all over it. Carver smiled as he watched his men retrieve the bread crumbs, tracing the IP address through the traffic nodes, a high-speed chase back to the source. Soon Carver would know who his opponent was, what firm he was with, what he had been looking for and the advantage he hoped to gain. And Carver would take a retaliatory action that would leave the hapless contender crumpled and destroyed. Carver showed no mercy. Ever.
The mantrap alert buzzed from overhead.
"Screens," Carver said.
The three young men at the workstations typed commands in unison, which hid their work from the visitors. The control room door opened and McGinnis stepped in with a man in a suit. Carver had never seen him before.
"This is our control room and through the windows there, you see what we call the 'front forty,' " McGinnis said. "All of our colocation services are centered here. This is primarily where your firm's material would be held. We have forty towers in here holding close to a thousand dedicated servers. And, of course, there's room for more. We'll never run out of room."
The man in the suit nodded thoughtfully.
"I'm not worried about room. Our concern is security."
"Yes, this is why we stepped in here. I wanted you to meet Wesley Carver. Wesley wears a number of hats around here. He is our chief technology officer as well as our top threat engineer and the designer of the data center. He can tell you all you need to know about colocation security."
Another dog and pony show. Carver shook the suit's hand. He was introduced as David Wyeth of the St. Louis law firm Mercer and Gissal. It sounded like crisp white shirts and tweed. Carver noticed that Wyeth had a barbecue stain on his tie. Whenever they came into town McGinnis took them to eat at Rosie's Barbecue.
Carver gave Wyeth the show by rote, covering everything and saying everything the silk-stocking lawyer wanted to hear. Wyeth was on a barbecue-and-due-diligence mission. He would go back to St. Louis and report on how impressed he had been. He would tell them that this was the way to go if the firm wanted to keep up with changing technologies and times.
And McGinnis would get another contract.
All the while he spoke, Carver was thinking about the intruder they had been chasing. Out there somewhere, not expecting the come-uppance that was speeding toward him. Carver and his young disciples would loot his personal bank accounts, take his identity and hide photos of men having sex with eight-year-old boys on his work computer. Then he would crash it with a replicating virus. When the intruder couldn't fix it he would call in an expert. The photos would be found and the police would be called.
The intruder would no longer be a concern. Another threat kept away by the Scarecrow.
On Saturday morning I was in my room at the Kyoto reading Larry Bernard's front-page story about the release of Alonzo Winslow from juvenile custody when one of the detectives from Hollywood Division called me. Her name was Bynum. She told me my house had been cleared as a crime scene and returned to my custody.
Bynum hung up and I sat there, thinking. Calling it "home" seemed wrong. I wasn't sure I wanted the house back, because I wasn't sure it was home any longer. My sleep -- what little there was of it -- had been invaded the last two nights by images of Angela Cook's face in the darkness under the bed and the muffled coughing sound so expertly implanted in my mind by her killer. Only in my dream, everything was underwater. Her wrists were not bound and she reached up to me as she sank. Her last cry for help came out in a bubble and when it broke with the sound the Unsub had made, I came awake.
To now live and try to sleep in the same place seemed impossible to me. I spread the curtains and looked out the single window of my small room. I had a view of the civic center. The beautiful and ageless City Hall rose in front of me. Next to it was the criminal courts building, as ugly as the prison most of its customers were headed to. The sidewalks and green lawns were empty. It was Saturday and nobody came downtown on the weekend. I pulled the curtains closed.
I decided I would keep the room as long as the paper was paying. I would go to the house but only to get fresh clothes and other things I needed. In the afternoon I would call a Realtor and see about getting rid of the place. If I could. For Sale: Nicely kept and restored Hollywood bungalow where serial killer struck. Bring all offers.
My cell phone rang, jarring me out of the reverie. My real cell phone. I had finally gotten it turned back on with full function the day before. The caller ID said private number and I had learned not to let those go unanswered.
The blast of an alarm horn filled the control room. The system had been tripped. A red band two inches thick crossed every screen in the control room. An electronic voice, female and calm, read the words crossing on the band aloud.
She fired two more bullets into the glass door and got the same negative result. One of the ricocheting slugs took out one of the screens in front of me, the image of Carver disappearing as it went black.
Rachel slowly lowered her gun. As if to accentuate her defeat, the warning horn blasted again.
"Attention, the VESDA fire suppression system has been activated. All personnel must exit the server room. The VESDA fire suppression system will engage in thirty seconds."
I looked out through the windows into the server room. Black pipes ran along the ceiling in a grid pattern and then down the back wall to the row of red CO2 canisters. The system was about to go. It would extinguish three lives but there was no fire in the server room.
"Rachel, there must be something we can do."
"What, Jack? I tried. There is nothing left!"
She slammed her gun down on a workstation and slid into the chair. I came over, put my hands on the desktop and leaned over her.
"You have to keep trying! There's got to be a back door to the system. These guys always put in back -- "
I stopped and looked out into the server room as I realized something. And the horn blasted again, but this time I barely heard it.
"Attention, the VESDA fire suppression system has been activated. All personnel must exit the server room. The VESDA fire suppression system will engage in fifteen seconds."
I turned back and she handed me her gun. I took it without hesitation, then headed into the mantrap.
I reserve the mornings for research on my subject. Wesley John Carver remains largely an enigma but I am getting closer to who and what he is. As he lies in the twilight world of a coma in the hospital ward of the Metropolitan Correctional Center in Los Angeles, I close in on him.
Some of what I know has come from the FBI, which continues to work the case in Arizona, Nevada and California. But most of it I have gotten on my own and from several sources.
Carver was a killer of high intelligence and clear-eyed self-understanding. He was clever and calculating, and able to manipulate people by tapping into their deepest and darkest desires. He lurked on websites and chat rooms, identified potential disciples and victims and then followed them home, tracing them through the labyrinthine portals of the digital world. He then made casual contact in the real world. He used them or killed them or both.
He had been doing it for years -- well before Western Data and the trunk murders had caught anyone's eye. Marc Courier had only been the latest in a long line of followers.
Still, the record of grim deeds Carver committed cannot overshadow the motivations behind it. That is what my editor in New York tells me each time we talk. I must be able to tell more than what happened. I must tell why. It's breadth and depth again -- the ol' B and D -- and I am used to that.
What I have learned so far is this: Carver grew up an only child without ever knowing who his father was. His mother worked the strip club circuit, which kept the two of them on the road from Los Angeles to San Francisco to New York and back during his younger years. He was what they called a dressing-room baby, held backstage in the arms of housemothers, costumers and other dancers while his own mother worked in the spotlights out front. She was a featured act, performing under the stage name "L.A. Woman" and dancing exclusively to the music of the signature Los Angeles rock band of the era, The Doors.
There are hints that Carver was abused sexually by more than one of the people he was left with in dressing rooms and that on many nights he slept in the same hotel room where his mother entertained men who had paid to be with her.
Most notable in all of this was that his mother had developed an unnamed but degenerative bone disease that threatened her livelihood. When not onstage, and away from the world in which she worked, she often wore leg braces prescribed to provide support for weakening ligaments and joints. Young Wesley was often called upon to help secure the leather straps around his mother's legs.
It is a dismal and depressing portrait, but not one that adds up to multiple murder. The secret ingredients of that carcinogen have not yet been revealed -- by me or the FBI. What made the horrors of Carver's upbringing metastasize into the cancer of his adulthood remains to be learned. But Rachel often reminds me of her favorite line from a Coen brothers film: Nobody knows anybody, not that well. She tells me no one will ever know what sent Wesley Carver down the path he took.
I am in Bakersfield today. For the fourth day in a row I will spend the morning with Karen Carver and she will tell me her memories of her son. She has not seen or talked to him since the day he left as an eighteen-year-old for MIT, but her knowledge of his early life and her willingness to share it with me bring me closer to answering the question of why.
Tomorrow I will drive home, my conversations with the now wheelchair-bound mother of the killer completed for the time being. There is other research to complete and a looming deadline for my book.