As_CJS the_AT0 form_NN1 diagram_NN1 indicates_VVZ ,_PUN the_AT0 conflict_NN1 between_PRP both_DT0 layers_NN2 is_VBZ crucial_AJ0 to_PRP the_AT0 structure_NN1 of_PRF this_DT0 piece_NN1 (_PUL see_VVB Example_NN1 10_CRD )_PUR ._SENT The_AT0 cycle_NN1 that_CJT is_VBZ repeated_VVN throughout_PRP this_DT0 piece_NN1 is_VBZ created_VVN by_PRP a_AT0 symmetrical_AJ0 4_CRD /_PUN 4_CRD backbeat_NN1 pattern_NN1 in_PRP Layer_NP0 2_CRD that_CJT conflicts_NN2 with_PRP Layer_NP0 1_CRD ,_PUN which_DTQ alternates_VVZ between_PRP 20_CRD /_PUN 16_CRD and_CJC 15_CRD /_PUN 16_CRD bars_NN2 reinforcing_VVG an_AT0 F#_AJ0 tonal_AJ0 center_NN1 —_PUN four_CRD bars_NN2 of_PRF 5_CRD /_PUN 16_CRD and_CJC five_CRD bars_NN2 of_PRF 3_CRD /_PUN 16_CRD ,_PUN respectively_AV0 (_PUL see_VVB Example_NN1 11_CRD )_PUR ._SENT Given_VVN that_CJT Layer_NN1 1_CRD is_VBZ three_CRD sixteenth_ORD notes_NN2 longer_AV0 than_CJS two_CRD repetitions_NN2 of_PRF Layer_NN1 2_CRD (_PUL similar_AJ0 to_PRP the_AT0 cycle_NN1 heard_VVN in_PRP "_PUQ A_AT0 Crane_NP0 Came_VVD from_PRP Van_NP0 "_PUQ )_PUR ,_PUN every_AT0 four_CRD repetitions_NN2 of_PRF Layer_NN1 1_CRD will_VM0 realign_VVI with_PRP a_AT0 downbeat_NN1 in_PRP Layer_NN1 2._CRD However_AV0 ,_PUN as_CJS illustrated_VVN by_PRP the_AT0 vertical_AJ0 dashed_AJ0 barline_NN1 at_PRP the_AT0 beginning_NN1 of_PRF the_AT0 fifth_ORD system_NN1 in_PRP Example_NN1 11_CRD ,_PUN even_AV0 though_CJS both_DT0 layers_NN2 are_VBB aligned_VVN on_PRP a_AT0 similar_AJ0 downbeat_NN1 ,_PUN Layer_NN1 1_CRD now_AV0 begins_VVZ on_PRP beat_NN1 4_CRD of_PRF Layer_NP0 2._CRD Thus_AV0 ,_PUN all_DT0 sixteen_CRD 4_CRD /_PUN 4_CRD bars_NN2 in_PRP Layer_NN1 2_CRD are_VBB unique_AJ0 with_PRP regard_NN1 to_PRP their_DPS alignment_NN1 with_PRP Layer_NP0 1._CRD Layer_NP0 1_CRD is_VBZ heard_VVN seven_CRD times_NN2 in_PRP total_NN1 before_PRP an_AT0 11_CRD /_PUN 16_CRD bar_NN1 (_PUL 5_CRD /_PUN 16_CRD +_NP0 6_CRD /_PUN 16_CRD )_PUR disrupts_VVZ the_AT0 cycle_NN1 in_PRP order_NN1 to_TO0 realign_VVI with_PRP the_AT0 downbeat_NN1 of_PRF Layer_NP0 2_CRD when_AVQ the_AT0 cycle_NN1 repeats_VVZ ._SENT This_DT0 conflict_NN1 between_PRP layers_NN2 1_CRD and_CJC 2_CRD continues_VVZ throughout_PRP most_DT0 of_PRF the_AT0 composition_NN1 ,_PUN making_VVG the_AT0 tension_NN1 generated_VVN by_PRP these_DT0 cycles_NN2 significant_AJ0 to_PRP the_AT0 piece_NN1 's_POS structure_NN1 ._SENT 
"_PUQ Etude_NN1 No._NN1 1_CRD "_PUQ 
[_PUL 4.2_CRD ]_PUR Another_DT0 example_NN1 of_PRF structural_AJ0 cycles_NN2 is_VBZ in_PRP "_PUQ Etude_NN1 No._NN1 1_CRD ,_PUN "_PUQ the_AT0 sixth_ORD track_NN1 on_PRP An_AT0 Ancient_AJ0 Observer_NN1 (_PUL 2017_CRD )_PUR and_CJC the_AT0 only_AJ0 solo_NN1 piano_NN1 composition_NN1 discussed_VVN in_PRP this_DT0 article_NN1 ._SENT While_CJS the_AT0 cycles_NN2 in_PRP this_DT0 piece_NN1 are_VBB not_XX0 used_VVN in_PRP the_AT0 outer_AJ0 sections_NN2 like_CJS they_PNP were_VBD in_PRP "_PUQ Entertain_VVB Me_PNP ,_PUN "_PUQ the_AT0 amount_NN1 of_PRF time_NN1 that_CJT cycles_NN2 are_VBB heard_VVN in_PRP this_DT0 short_AJ0 composition_NN1 implies_VVZ that_CJT these_DT0 dissonant_AJ0 formations_NN2 are_VBB an_AT0 important_AJ0 structural_AJ0 component_NN1 of_PRF this_DT0 composition_NN1 :_PUN 75_CRD of_PRF the_AT0 recording_NN1 's_POS total_AJ0 128_CRD seconds_NN2 contain_VVB phrases_NN2 with_PRP cycles_NN2 ,_PUN comprising_VVG 59_CRD %_NN0 of_PRF the_AT0 piece_NN1 (_PUL see_VVB Example_NN1 12_CRD )_PUR ._SENT 
[_PUL 4.3_CRD ]_PUR In_PRP "_PUQ Etude_NN1 No._NN1 1_CRD ,_PUN "_PUQ Layer_NN1 1_CRD is_VBZ a_AT0 four-bar_AJ0 5_CRD /_PUN 8_CRD pattern_NN1 (_PUL 2+3_CRD )_PUR that_DT0 is_VBZ repeated_VVN throughout_PRP the_AT0 entire_AJ0 composition_NN1 (_PUL see_VVB Example_NN1 13_CRD )_PUR ._SENT This_DT0 pattern_NN1 as_CJS well_AV0 as_CJS the_AT0 others_NN2 used_VVN throughout_PRP this_DT0 piece_NN1 are_VBB primarily_AV0 "_PUQ white_AJ0 key_NN1 diatonic_AJ0 ,_PUN "_PUQ emphasizing_VVG C_NP0 as_PRP a_AT0 tonal_AJ0 center_NN1 ._SENT In_PRP the_AT0 first_ORD cycle_NN1 ,_PUN 0_CRD :_PUN 05_CRD –_PUN 0_CRD :_PUN 36_CRD ,_PUN Layer_NN1 2_CRD is_VBZ a_AT0 7_CRD /_PUN 8_CRD pattern_NN1 (_PUL 3+4_CRD )_PUR ,_PUN which_DTQ helps_VVZ create_VVI a_AT0 series_NN0 of_PRF unique_AJ0 metrical_AJ0 alignments_NN2 and_CJC contrapuntal_AJ0 intervals_NN2 between_PRP these_DT0 two_CRD voices_NN2 ;_PUN I_PNP have_VHB illustrated_VVN these_DT0 between_PRP the_AT0 staves_NN2 of_PRF Example_NN1 14._CRD In_PRP this_DT0 cycle_NN1 ,_PUN Layer_NN1 2_CRD realigns_VVZ with_PRP a_AT0 downbeat_NN1 of_PRF Layer_NP0 1_CRD every_AT0 seven_CRD bars_NN2 of_PRF 5_CRD /_PUN 8_CRD ,_PUN but_CJC given_VVN that_CJT Layer_NN1 1_CRD is_VBZ based_VVN on_PRP a_AT0 four-bar_AJ0 pattern_NN1 ,_PUN the_AT0 downbeats_NN2 of_PRF each_DT0 layer_NN1 only_AV0 realign_VVB every_AT0 twenty-eight_CRD bars_NN2 ._SENT The_AT0 hypermeter_NN1 in_PRP Layer_NN1 1_CRD is_VBZ further_AV0 complicated_AJ0 by_PRP the_AT0 addition_NN1 of_PRF a_AT0 new_AJ0 melodic_AJ0 voice_NN1 first_ORD heard_VVN in_PRP m_CRD ._SENT 17_CRD in_PRP the_AT0 piano_NN1 's_POS left_AJ0 hand_NN1 ._SENT This_DT0 voice_NN1 follows_VVZ the_AT0 5_CRD /_PUN 8_CRD pattern_NN1 established_VVN by_PRP Layer_NP0 1_CRD ,_PUN but_CJC lasts_VVZ for_PRP eight_CRD bars_NN2 ._SENT Even_AV0 though_CJS both_DT0 layers_NN2 realign_VVB in_PRP m_CRD ._SENT 37_CRD after_PRP the_AT0 seventh_ORD repetition_NN1 of_PRF the_AT0 5_CRD /_PUN 8_CRD pattern_NN1 of_PRF Layer_NN1 1_CRD (_PUL indicated_VVN in_PRP the_AT0 example_NN1 with_PRP an_AT0 *_PUN )_PUR ,_PUN this_DT0 event_NN1 occurs_VVZ in_PRP the_AT0 middle_NN1 of_PRF the_AT0 eight-bar_AJ0 hypermeter_NN1 that_DT0 is_VBZ now_AV0 reinforced_VVN by_PRP the_AT0 new_AJ0 melodic_AJ0 content_NN1 in_PRP the_AT0 piano_NN1 's_POS left_AJ0 hand_NN1 ._SENT This_DT0 cycle_NN1 is_VBZ disrupted_VVN in_PRP m_CRD ._SENT 49_CRD ,_PUN when_AVQ the_AT0 sixth_ORD note_NN1 of_PRF the_AT0 7_CRD /_PUN 8_CRD ostinato_NN1 in_PRP Layer_NN1 2_CRD coincides_VVZ with_PRP another_DT0 statement_NN1 of_PRF Layer_NN1 1_CRD at_PRP the_AT0 beginning_NN1 of_PRF the_AT0 next_ORD phrase_NN1 ._SENT 
[_PUL 4.4_CRD ]_PUR After_PRP repeating_VVG a_AT0 similar_AJ0 cycle_NN1 using_VVG 5_CRD /_PUN 8_CRD and_CJC 7_CRD /_PUN 8_CRD patterns_NN2 (_PUL 0_CRD :_PUN 39_CRD –_PUN 0_CRD :_PUN 51_CRD )_PUR ,_PUN from_PRP 0_CRD :_PUN 51_CRD –_PUN 1_CRD :_PUN 04_CRD Hamasyan_NP0 uses_VVZ similar_AJ0 5_CRD /_PUN 8_CRD and_CJC 7_CRD /_PUN 8_CRD patterns_NN2 but_CJC adds_VVZ a_AT0 3_CRD /_PUN 8_CRD metrical_AJ0 layer_NN1 (_PUL Layer_NN1 3_CRD )_PUR that_DT0 is_VBZ formed_VVN by_PRP a_AT0 C5_CRD repeated_VVD every_AT0 three_CRD eighth_ORD notes_NN2 (_PUL see_VVB Example_NN1 15_CRD )_PUR ._SENT Given_VVN that_CJT this_DT0 phrase_NN1 is_VBZ sixteen_CRD bars_NN2 long_AV0 ,_PUN the_AT0 only_AJ0 point_NN1 at_PRP which_DTQ all_DT0 three_CRD layers_NN2 share_VVB a_AT0 downbeat_NN1 is_VBZ in_PRP m_CRD ._SENT 85_CRD at_PRP the_AT0 beginning_NN1 of_PRF the_AT0 phrase_NN1 ._SENT Layers_NN2 2_CRD and_CJC 3_CRD are_VBB also_AV0 cut_VVN short_AJ0 in_PRP m_CRD ._SENT 100_CRD in_PRP order_NN1 to_TO0 maintain_VVI the_AT0 eight-bar_AJ0 hypermeter_NN1 established_VVN in_PRP Layer_NP0 1_CRD ,_PUN disrupting_VVG the_AT0 cycle_NN1 in_PRP order_NN1 to_TO0 maintain_VVI this_DT0 symmetrical_AJ0 phrase_NN1 structure_NN1 used_VVN throughout_PRP the_AT0 composition_NN1 ._SENT 
[_PUL 4.5_CRD ]_PUR This_DT0 leads_VVZ directly_AV0 to_PRP the_AT0 fourth_ORD and_CJC final_AJ0 instance_NN1 of_PRF cycles_NN2 in_PRP this_DT0 piece_NN1 from_PRP 1_CRD :_PUN 04_CRD –_PUN 1_CRD :_PUN 23_CRD ,_PUN which_DTQ uses_VVZ the_AT0 original_AJ0 5_CRD /_PUN 8_CRD ostinato_NN1 (_PUL Layer_NN1 1_CRD )_PUR and_CJC an_AT0 elaborated_AJ0 version_NN1 of_PRF the_AT0 3_CRD /_PUN 8_CRD ostinato_NN1 (_PUL Layer_VVB 3′_NN0 )_PUR heard_VVD in_PRP the_AT0 previous_AJ0 cycle_NN1 (_PUL see_VVB Example_NN1 16_CRD )_PUR ._SENT Unlike_PRP the_AT0 previous_AJ0 phrase_NN1 ,_PUN this_DT0 cycle_NN1 is_VBZ eight_CRD bars_NN2 longer_AV0 ,_PUN which_DTQ leads_VVZ to_PRP an_AT0 implied_AJ0 resolution_NN1 of_PRF both_DT0 layers_NN2 1_CRD and_CJC 3′_NN0 in_PRP m_NN0 ._SENT 125._CRD (_PUL Layer_VVB 3′_NN0 is_VBZ not_XX0 heard_VVN on_PRP the_AT0 downbeat_NN1 of_PRF m_NN0 ._SENT 125_CRD ,_PUN but_CJC if_CJS it_PNP were_VBD it_PNP would_VM0 be_VBI on_PRP the_AT0 downbeat_NN1 )_PUR ._SENT This_DT0 is_VBZ the_AT0 only_AJ0 instance_NN1 of_PRF cycles_NN2 in_PRP this_DT0 piece_NN1 in_PRP which_DTQ both_DT0 layers_NN2 resolve_VVB at_PRP a_AT0 shared_AJ0 point_NN1 of_PRF alignment_NN1 ,_PUN which_DTQ is_VBZ significant_AJ0 given_VVN that_CJT this_DT0 is_VBZ the_AT0 end_NN1 of_PRF the_AT0 last_ORD cycle_NN1 heard_VVN in_PRP this_DT0 composition_NN1 :_PUN after_PRP this_DT0 cycle_NN1 is_VBZ completed_VVN the_AT0 5_CRD /_PUN 8_CRD meter_NN1 from_PRP Layer_NN1 1_CRD continues_VVZ without_PRP conflict_NN1 until_PRP the_AT0 end_NN1 of_PRF the_AT0 piece_NN1 ._SENT The_AT0 use_NN1 of_PRF multiple_AJ0 incomplete_AJ0 cycles_NN2 throughout_PRP this_DT0 piece_NN1 builds_VVZ tension_NN1 ,_PUN which_DTQ eventually_AV0 resolves_VVZ at_PRP the_AT0 completion_NN1 of_PRF the_AT0 fourth_ORD and_CJC final_AJ0 cycle_NN1 ,_PUN suggesting_VVG these_DT0 cycles_NN2 are_VBB an_AT0 important_AJ0 component_NN1 of_PRF this_DT0 piece_NN1 's_POS structure_NN1 ._SENT 
Developmental_AJ0 Cycles_NN2 
"_PUQ Vardavar_NP0 "_PUQ 
[_PUL 5.1_CRD ]_PUR One_CRD example_NN1 of_PRF the_AT0 developmental_AJ0 approach_NN1 to_PRP cycles_NN2 can_VM0 be_VBI heard_VVN in_PRP "_PUQ Vardavar_NP0 ,_PUN "_PUQ the_AT0 fifth_ORD and_CJC final_AJ0 track_NN1 on_PRP EP_NP0 No._NN1 1_CRD (_PUL see_VVB Example_NN1 17_CRD )_PUR ._SENT Layer_NN1 1_CRD is_VBZ introduced_VVN at_PRP the_AT0 beginning_NN1 of_PRF this_DT0 composition_NN1 ,_PUN which_DTQ is_VBZ a_AT0 5_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 3_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD pattern_NN1 structured_VVN in_PRP a_AT0 3_CRD +_NP0 4_CRD grouping_NN1 that_CJT reinforces_VVZ a_AT0 C_ZZ0 tonal_AJ0 center_NN1 given_VVN the_AT0 harmonic_AJ0 rhythm_NN1 and_CJC bass_NN1 line_NN1 articulated_VVN in_PRP the_AT0 piano_NN1 's_POS left_AJ0 hand_NN1 (_PUL see_VVB Example_NN1 18_CRD )_PUR ._SENT Starting_VVG around_PRP 3_CRD :_PUN 14_CRD ,_PUN however_AV0 ,_PUN Hamasyan_NP0 introduces_VVZ the_AT0 first_ORD cycle_NN1 in_PRP this_DT0 piece_NN1 (_PUL see_VVB Example_NN1 19_CRD )_PUR ._SENT Here_AV0 ,_PUN given_VVN that_CJT the_AT0 chords_NN2 are_VBB repeated_VVN ,_PUN Layer_NN1 1_CRD (_PUL consisting_VVG of_PRF piano_NN1 ,_PUN bass_NN1 ,_PUN and_CJC kick_VVB drum_NN1 )_PUR sounds_VVZ twice_AV0 as_CJS long_AJ0 ._SENT At_PRP the_AT0 same_DT0 time_NN1 ,_PUN a_AT0 symmetrical_AJ0 4_CRD /_PUN 4_CRD backbeat_NN1 pattern_NN1 in_PRP Layer_NN1 2_CRD is_VBZ introduced_VVN in_PRP the_AT0 cymbals_NN2 and_CJC snare_NN1 ._SENT The_AT0 chords_NN2 in_PRP this_DT0 section_NN1 largely_AV0 use_VVB the_AT0 same_DT0 pitch_NN1 content_NN1 from_PRP the_AT0 beginning_NN1 of_PRF the_AT0 piece_NN1 (_PUL CDEB_NP0 from_PRP the_AT0 opening_NN1 becomes_VVZ CGDE_NP0 )_PUR ,_PUN but_CJC they_PNP are_VBB articulated_VVN as_PRP chords_NN2 rather_AV0 than_CJS a_AT0 single_AJ0 melodic_AJ0 line_NN1 ._SENT In_PRP this_DT0 phrase_NN1 ,_PUN both_DT0 patterns_NN2 are_VBB the_AT0 same_DT0 length_NN1 of_PRF 32_CRD total_AJ0 sixteenth_ORD notes_NN2 ,_PUN but_CJC they_PNP do_VDB not_XX0 share_VVI any_DT0 points_NN2 of_PRF alignment_NN1 other_AJ0 than_CJS the_AT0 downbeat_NN1 of_PRF mm_NN0 ._SENT 1_CRD and_CJC 3_CRD in_PRP Layer_NP0 2_CRD ,_PUN which_DTQ is_VBZ also_AV0 the_AT0 beginning_NN1 of_PRF each_DT0 Layer_NN1 1_CRD repetition_NN1 ._SENT Thus_AV0 ,_PUN this_DT0 complete_AJ0 cycle_NN1 has_VHZ the_AT0 effect_NN1 of_PRF unveiling_VVG a_AT0 symmetrical_AJ0 4_CRD /_PUN 4_CRD structure_NN1 hidden_VVN underneath_PRP the_AT0 asymmetrical_AJ0 rhythmic_AJ0 pattern_NN1 heard_VVN throughout_PRP the_AT0 beginning_NN1 of_PRF the_AT0 piece_NN1 ._SENT 
[_PUL 5.2_CRD ]_PUR After_PRP this_DT0 first_ORD cycle_NN1 ,_PUN the_AT0 next_ORD section_NN1 returns_VVZ to_PRP the_AT0 unison_NN1 asymmetrical_AJ0 ostinato_NN1 used_VVN in_PRP Layer_NP0 1_CRD for_PRP one_CRD more_DT0 section_NN1 ._SENT The_AT0 final_AJ0 section_NN1 of_PRF the_AT0 piece_NN1 ,_PUN however_AV0 ,_PUN reduces_VVZ the_AT0 tempo_NN1 and_CJC forms_VVZ a_AT0 new_AJ0 cycle_NN1 (_PUL see_VVB Example_NN1 20_CRD )_PUR ._SENT Here_AV0 ,_PUN on_PRP the_AT0 one_CRD hand_NN1 ,_PUN Layer_NN1 2_CRD returns_VVZ to_PRP a_AT0 symmetrical_AJ0 backbeat_NN1 pattern_NN1 similar_AJ0 to_PRP the_AT0 first_ORD cycle_NN1 in_PRP this_DT0 piece_NN1 ,_PUN albeit_CJS now_AV0 in_PRP a_AT0 slower_AJC 2_CRD /_PUN 4_CRD meter_NN1 ._SENT On_PRP the_AT0 other_AJ0 hand_NN1 ,_PUN the_AT0 earlier_AJC 5_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 3_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD in_PRP Layer_NN1 1_CRD is_VBZ developed_VVN into_PRP a_AT0 new_AJ0 pattern_NN1 using_VVG diminution_NN1 :_PUN 3_CRD /_PUN 16_CRD +_NP0 3_CRD /_PUN 16_CRD +_NP0 2_CRD /_PUN 16_CRD +_NP0 3_CRD /_PUN 16_CRD +_NP0 3_CRD /_PUN 16_CRD +_NP0 2.5_CRD /_PUN 16_CRD +_NP0 3.5_CRD /_PUN 16._CRD This_DT0 new_AJ0 complete_AJ0 cycle_NN1 still_AV0 retains_VVZ the_AT0 shared_AJ0 points_NN2 of_PRF alignment_NN1 on_PRP beat_NN1 1_CRD of_PRF both_DT0 layers_NN2 ,_PUN but_CJC adds_VVZ an_AT0 additional_AJ0 point_NN1 of_PRF alignment_NN1 on_PRP beat_NN1 3_CRD of_PRF Layer_NP0 2_CRD ,_PUN coinciding_VVG with_PRP the_AT0 beginning_NN1 of_PRF the_AT0 second_ORD sub-phrase_NN1 of_PRF Layer_NN1 1._CRD However_AV0 ,_PUN given_VVN that_CJT the_AT0 second_ORD repetition_NN1 of_PRF Layer_NN1 1_CRD begins_VVZ on_PRP beat_NN1 2_CRD of_PRF Layer_NP0 2_CRD ,_PUN both_DT0 layers_NN2 need_VVB to_TO0 be_VBI played_VVN twice_AV0 before_CJS they_PNP both_AV0 return_VVB to_PRP a_AT0 shared_AJ0 point_NN1 of_PRF alignment_NN1 at_PRP the_AT0 beginning_NN1 of_PRF the_AT0 phrase_NN1 ._SENT In_PRP other_AJ0 words_NN2 ,_PUN the_AT0 asymmetrical_AJ0 Layer_NN1 1_CRD has_VHZ been_VBN transformed_VVN to_TO0 better_AV0 fit_VVI with_PRP the_AT0 more_AV0 symmetrical_AJ0 backbeat_NN1 pattern_NN1 in_PRP Layer_NP0 2_CRD ,_PUN creating_VVG four_CRD points_NN2 of_PRF alignment_NN1 rather_AV0 than_CJS the_AT0 two_CRD heard_VVD in_PRP the_AT0 initial_AJ0 cycle_NN1 ._SENT This_DT0 suggests_VVZ a_AT0 development_NN1 of_PRF Layer_NN1 1_CRD at_PRP the_AT0 end_NN1 of_PRF the_AT0 composition_NN1 ,_PUN in_PRP that_CJT it_PNP is_VBZ transformed_VVN to_TO0 better_AV0 fit_VVI the_AT0 symmetrical_AJ0 groove_NN1 of_PRF Layer_NN1 2_CRD (_PUL see_VVB Example_NN1 21_CRD )_PUR ._SENT 
"_PUQ The_AT0 Grid_NN1 "_PUQ /_PUN "_PUQ Out_AVP of_PRF The_AT0 Grid_NN1 "_PUQ 
[_PUL 5.3_CRD ]_PUR The_AT0 last_ORD two_CRD tracks_NN2 on_PRP Hamasyan_NP0 's_POS 2015_CRD album_NN1 Mockroot_NN1 also_AV0 combine_VVB to_TO0 form_VVI a_AT0 similar_AJ0 large-scale_AJ0 developmental_AJ0 approach_NN1 like_PRP the_AT0 one_PNI discussed_VVN in_PRP "_PUQ Vardavar_NN1 "_PUQ (_PUL see_VVB Example_NN1 22_CRD )_PUR ._SENT The_AT0 original_AJ0 Layer_NN1 1_CRD that_DT0 is_VBZ introduced_VVN at_PRP the_AT0 beginning_NN1 of_PRF "_PUQ The_AT0 Grid_NN1 "_PUQ is_VBZ based_VVN on_PRP a_AT0 5_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 7_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD pattern_NN1 ,_PUN emphasizing_VVG a_AT0 G_ZZ0 tonal_AJ0 center_NN1 (_PUL see_VVB Example_NN1 23_CRD )_PUR ._SENT The_AT0 first_ORD cycle_NN1 starts_VVZ around_PRP 1_CRD :_PUN 43_CRD in_PRP "_PUQ Out_AVP of_PRF the_AT0 Grid_NN1 ,_PUN "_PUQ using_VVG a_AT0 similar_AJ0 melodic_AJ0 pattern_NN1 from_PRP Layer_NP0 1_CRD (_PUL G_NP0 –_PUN Eb_NP0 –_PUN B_ZZ0 –_PUN G_ZZ0 –_PUN F_ZZ0 –_PUN C_ZZ0 )_PUR in_PRP counterpoint_NN1 against_PRP itself_PNX in_PRP both_DT0 layers_NN2 (_PUL see_VVB Example_NN1 24_CRD )_PUR ._SENT In_PRP this_DT0 cycle_NN1 ,_PUN Layer_NN1 2_CRD uses_VVZ this_DT0 melodic_AJ0 pattern_NN1 in_PRP a_AT0 consistent_AJ0 5_CRD /_PUN 16_CRD ostinato_NN1 ,_PUN while_CJS Layer_NN1 1_CRD uses_VVZ the_AT0 same_DT0 melodic_AJ0 pattern_NN1 but_CJC in_PRP a_AT0 4_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD pattern_NN1 ._SENT The_AT0 ostinato_NN1 in_PRP the_AT0 pattern_NN1 of_PRF Layer_NN1 1_CRD can_VM0 be_VBI understood_VVN as_PRP a_AT0 development_NN1 of_PRF the_AT0 original_AJ0 layer_NN1 ,_PUN in_PRP that_CJT it_PNP retains_VVZ a_AT0 similar_AJ0 six-bar_AJ0 phrase_NN1 structure_NN1 ,_PUN but_CJC removes_VVZ one_CRD or_CJC two_CRD sixteenth_ORD notes_NN2 from_PRP each_DT0 bar_NN1 ._SENT Each_DT0 repetition_NN1 of_PRF Layer_NN1 1_CRD creates_VVZ a_AT0 point_NN1 of_PRF alignment_NN1 with_PRP a_AT0 strong_AJ0 beat_NN1 in_PRP Layer_NN1 2._CRD However_AV0 ,_PUN both_DT0 layers_NN2 do_VDB not_XX0 reach_VVI the_AT0 same_DT0 point_NN1 of_PRF alignment_NN1 in_PRP which_DTQ they_PNP share_VVB a_AT0 downbeat_NN1 and_CJC complete_VVB the_AT0 cycle_NN1 until_CJS after_PRP Layer_NN1 1_CRD repeats_VVZ six_CRD times_NN2 and_CJC Layer_NN1 2_CRD repeats_VVZ five_CRD times_NN2 ._SENT My_DPS transcription_NN1 illustrates_VVZ that_CJT in_PRP addition_NN1 to_PRP creating_VVG unique_AJ0 points_NN2 of_PRF alignment_NN1 between_PRP the_AT0 two_CRD layers_NN2 ,_PUN unique_AJ0 contrapuntal_AJ0 intervals_NN2 are_VBB also_AV0 formed_VVN at_PRP the_AT0 beginning_NN1 of_PRF each_DT0 Layer_NN1 1_CRD statement_NN1 ,_PUN creating_VVG tension_NN1 that_CJT pushes_VVZ the_AT0 phrase_NN1 forward_AV0 until_CJS the_AT0 end_NN1 of_PRF the_AT0 cycle_NN1 ._SENT 
[_PUL 5.4_CRD ]_PUR Similar_AJ0 to_PRP "_PUQ Vardavar_NP0 ,_PUN "_PUQ the_AT0 music_NN1 returns_VVZ to_PRP the_AT0 original_AJ0 Layer_NN1 1_CRD metric_AJ0 structure_NN1 following_VVG this_DT0 initial_AJ0 cycle_NN1 ,_PUN after_PRP which_DTQ a_AT0 new_AJ0 and_CJC final_AJ0 cycle_NN1 is_VBZ introduced_VVN (_PUL see_VVB Example_NN1 25_CRD )_PUR ._SENT This_DT0 cycle_NN1 retains_VVZ the_AT0 same_DT0 4_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 5_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD +_NP0 4_CRD /_PUN 16_CRD pattern_NN1 in_PRP Layer_NP0 1_CRD ,_PUN now_AV0 with_PRP a_AT0 more_AV0 driving_AJ0 rhythmic_AJ0 pattern_NN1 based_VVN on_PRP three_CRD repeated_AJ0 sixteenth_ORD notes_NN2 ._SENT This_DT0 is_VBZ juxtaposed_VVN with_PRP a_AT0 new_AJ0 (_PUL 4_CRD /_PUN 16_CRD )_PUR pattern_NN1 in_PRP Layer_NP0 2_CRD that_CJT creates_VVZ a_AT0 symmetrical_AJ0 4_CRD /_PUN 4_CRD backbeat_NN1 pattern_NN1 ._SENT Like_PRP the_AT0 previous_AJ0 cycle_NN1 ,_PUN this_DT0 passage_NN1 continues_VVZ on_AVP as_CJS if_CJS it_PNP will_VM0 form_VVI a_AT0 complete_AJ0 cycle_NN1 ,_PUN but_CJC after_PRP m_CRD ._SENT 3_CRD of_PRF the_AT0 eighth_ORD melodic_AJ0 statement_NN1 in_PRP Layer_NP0 1_CRD ,_PUN Hamasyan_NP0 disrupts_VVZ the_AT0 cycle_NN1 by_PRP increasing_VVG the_AT0 tempo_NN1 and_CJC returning_VVG to_PRP the_AT0 original_AJ0 Layer_NN1 1_CRD rhythmic_AJ0 content_NN1 to_TO0 conclude_VVI the_AT0 second_ORD half_NN1 of_PRF this_DT0 six-bar_AJ0 phrase_NN1 ._SENT Thus_AV0 ,_PUN unlike_PRP "_PUQ Vardavar_NN1 "_PUQ which_DTQ altered_VVD the_AT0 original_AJ0 asymmetrical_AJ0 layer_NN1 to_TO0 fit_VVI a_AT0 more_AV0 symmetrical_AJ0 backbeat_NN1 ,_PUN "_PUQ Out_AVP of_PRF the_AT0 Grid_NN1 "_PUQ develops_VVZ the_AT0 original_AJ0 Layer_NN1 1_CRD to_TO0 make_VVI it_PNP seem_VVI like_PRP this_DT0 pattern_NN1 will_VM0 form_VVI a_AT0 complete_AJ0 cycle_NN1 in_PRP this_DT0 new_AJ0 symmetrical_AJ0 groove_NN1 pattern_NN1 ,_PUN but_CJC eventually_AV0 the_AT0 cycle_NN1 is_VBZ disrupted_VVN and_CJC the_AT0 music_NN1 returns_VVZ to_PRP the_AT0 original_AJ0 metric_AJ0 pattern_NN1 of_PRF Layer_NN1 1_CRD (_PUL see_VVB Example_NN1 26_CRD )_PUR ._SENT 
[_PUL 5.5_CRD ]_PUR Both_DT0 "_PUQ Vardavar_NN1 "_PUQ and_CJC "_PUQ The_AT0 Grid_NN1 "_PUQ /_PUN "_PUQ Out_AVP of_PRF The_AT0 Grid_NN1 "_PUQ illustrate_VVB different_AJ0 large-scale_AJ0 strategies_NN2 using_VVG developmental_AJ0 cycles_NN2 ._SENT The_AT0 former_DT0 uses_VVZ complete_AJ0 cycles_NN2 and_CJC maintains_VVZ the_AT0 new_AJ0 symmetrical_AJ0 layer_NN1 through_PRP the_AT0 end_NN1 of_PRF the_AT0 composition_NN1 ,_PUN suggesting_VVG a_AT0 more_AV0 permanent_AJ0 transformation_NN1 of_PRF the_AT0 original_AJ0 layer_NN1 ._SENT The_AT0 latter_DT0 ends_NN2 with_PRP an_AT0 incomplete_AJ0 cycle_NN1 before_PRP returning_VVG to_PRP the_AT0 original_AJ0 asymmetrical_AJ0 patterns_NN2 heard_VVN throughout_PRP the_AT0 piece_NN1 ,_PUN suggesting_VVG only_AV0 a_AT0 temporary_AJ0 disruption_NN1 to_PRP the_AT0 metrical_AJ0 framework_NN1 ._SENT One_CRD possible_AJ0 reason_NN1 that_CJT these_DT0 patterns_NN2 are_VBB used_VVN in_PRP this_DT0 fashion_NN1 as_PRP part_NN1 of_PRF the_AT0 large-scale_AJ0 formal_AJ0 development_NN1 of_PRF a_AT0 composition_NN1 might_VM0 be_VBI explained_VVN by_PRP Hamasyan_NP0 's_POS comments_NN2 about_PRP his_DPS music_NN1 :_PUN 
"_PUQ My_DPS idea_NN1 was_VBD to_TO0 try_VVI to_TO0 weave_VVI these_DT0 folk_NN0 melodies_NN2 into_PRP jazz_NN1 improvisations_NN2 ,_PUN "_PUQ [_PUL Hamasyan_NP0 ]_PUR says_VVZ ._SENT "_PUQ My_DPS first_ORD attempts_NN2 were_VBD terrible_AJ0 !_SENT The_AT0 challenge_NN1 is_VBZ that_CJT folk_NN0 music_NN1 is_VBZ modal_AJ0 ,_PUN with_PRP no_AT0 chord_NN1 changes_NN2 ._SENT So_AV0 you_PNP are_VBB trying_VVG to_TO0 find_VVI harmonies_NN2 for_PRP a_AT0 music_NN1 that_DT0 's_VBZ not_XX0 supposed_AJ0 to_TO0 have_VHI harmonies_NN2 ._SENT That_DT0 's_VBZ tough_AJ0 "_PUQ (_PUL Lewis_NP0 2013_CRD )_PUR ._SENT 
In_PRP light_NN1 of_PRF the_AT0 difficult_AJ0 task_NN1 of_PRF finding_VVG suitable_AJ0 harmonies_NN2 for_PRP repetitive_AJ0 ,_PUN modal_AJ0 folk_NN0 melodies_NN2 ,_PUN it_PNP is_VBZ possible_AJ0 that_CJT Hamasyan_NP0 uses_VVZ these_DT0 ostinati_NN2 and_CJC cycles_NN2 in_PRP order_NN1 to_TO0 create_VVI a_AT0 sense_NN1 of_PRF progression_NN1 in_PRP the_AT0 large-scale_AJ0 form_NN1 of_PRF his_DPS music_NN1 ,_PUN in_PRP addition_NN1 to_PRP (_PUL or_CJC sometimes_AV0 in_PRP place_NN1 of_PRF )_PUR large-scale_AJ0 harmonic_AJ0 motion_NN1 that_CJT might_VM0 fulfill_VVI this_DT0 function_NN1 in_PRP other_AJ0 contexts_NN2 ._SENT 
