﻿He asked her out at the reservoir, where she went skinny-dipping in the summer. Early in the morning, before all the kids arrived, or sometimes late at night, when all the sounds of the water seemed louder: lapping, splashing, frogs. She was toweling her hair when he appeared, and she wasn't wearing any pants. Her pubic hair was unkempt.
Kate was taken aback, but she said yes. As he walked away, she noticed his uncertain footing on the rocks and the spray of eczema, like something coughed up, trailing down his back and into his bathing suit. Already she had forgotten his name.
When she arrived at the restaurant—white tablecloths, heavy menus, a basket of bread swaddled to keep warm—he was wearing enormous glasses. He stood up and his napkin fell out of his lap. If you looked at the glasses from the side, you could see just how thick the lenses were—opaque, like a frosted shower door. His name was Nick, and when they undressed in her bedroom that night, his hands darting all over her skin, she felt certain that he was seeing her for the first time.
In two years, they were married. The story of the pants—the pantslessness—had become well known. Predictably, it featured in several wedding toasts. The glasses were removed to demonstrate. He really can't see! Nick smiled good-naturedly, pawing the air hopelessly to make them all laugh. The eczema crawled out from under his white collar.
Someone drove them home, and at the last minute Nick said to turn the car around. He checked them into a hotel, a cheap one, and they rode the elevator laughing. They had sex in overstarched sheets. They had agreed they didn't believe in honeymoons.
"So what's all this," Kate said, smiling. She waved at the plastic nightstand painted like wood. The warping watercolor above the headboard, a flimsy French lake.
"Well," he said. His beliefs had been ill-advised.
He kept the glasses on as long as he could. She kissed him. Her pubic hair was more kempt than it used to be. He tasted her.
"You don't need those," she said, taking the glasses off. "You know me."
"I do."
In two years they were married and in three years he was dead. They didn't have the chance to make rash decisions. By the time they might have considered a house, idling the engine in unaffordable neighborhoods, spinning fantasies and squandering savings, they were already carrying around the diagnosis. Kate imagined it on a little slip of paper—in pockets and purses, in the glove compartment during long drives, in the cluttered kitchen drawer where they kept cheap, indispensable things. They never forgot where it was. They kept the medical bills in a pile on the bedside table, and when there was nothing to do but wait, Kate stacked and restacked them, pushing the edges into alignment. The bills were big and hard to decipher. Numbers they had to look up, which were codes for words they also had to look up.
They said, "Let's do some math."
They never said, "Let's plan ahead."
They found one bedroom and one and a half baths near the hospital, with pink trim and pink cabinet doors that hung off their hinges like limbs.
Everyone talked about fighting, being a fighter.
"For newlyweds, we do an awful lot of fighting," Nick said while they waited for the doctor to be right with them.
There was time, in the end, for him to make his own arrangements.
"No speeches, of course."
"Of course?"
"Just put some snacks out," he said. "Pigs in blankets."
"That's ridiculous," Kate said.
"And Pringles."
"Don't you have a favorite poem?"
"You can make it a joke," Nick said. "A joke will be a relief."
Kate did what he asked, because she wanted it to be exactly as he had pictured it. He had been afraid—when he admitted to being afraid—of the size of the future, of his own desperate predictions, of the simple question that only time would tell, but not to him: now what?
She chopped the hot dogs and wrapped them in dough from a canister, the kind that twisted and popped, jolting her each time, even though the large print on the label told her what to expect. She piled them in pyramids and put platters everywhere. She overdid it. On the pink mantel and above the cabinets. In the hall, for people waiting to use the half bath. She took bowls of chips from one person to the next, raw faces whose tears seemed to have nothing to do with her. They offered to help, but Kate held the serving dishes tightly against her chest. And when they were gone, when the pyramids were still mostly intact, she sat down and cried over his joke.
What happened next wasn't that she recovered—never that, really—but she did move to a new city, where she would have to bump into life every day. She got a job at a nursery school. She rented an attic room with a slanted turquoise ceiling. On weekends, she woke to the sound of things being banged in the house's shared kitchen. Old muffled sounds, which she heard and remembered all at once. Kate lingered like that, her eyelids erupting with morning color.
The children at the school where she worked were undergoing separation. A technical term—to be left on one's own. It involved several steps, which could not be skipped or performed out of sequence.
First, the mothers left the room for five minutes. This was just practice. They timed the minutes on their dangly watches and returned as soon as the second hand permitted.
"Ta-da," they said, waiting to see relief mirrored on their children's faces.
Next, the mothers said good-bye in earnest. Kate told them to wait in the hallway—in case. Sometimes children drifted out the door, crawling beside dump trucks or steering shopping carts of plastic produce, and were surprised to find the mothers hiding, towering over miniature chairs in primary colors. They drove their trucks into the high heels or sensible flats blocking their way.
"Beep beep," they said.
"Move," they said.
Kate worked at the nursery school for too many years. The women she worked with had grey or orange hair and arms that jiggled when they scrubbed the tabletops. Kate wondered if she really belonged there. Her stomach sunk between her hips, muscles showed through her skin. She didn't think this looked attractive. She thought it looked a little grotesque.
Each year, Kate separated a new group of children. Some of the mothers envied her stomach and her throaty neck, her bare face a reproach to theirs, which were painted gold and pink with time they didn't have. There were occasions, Kate thought, when they despised her. When their clothes were no longer clung to, when they entered the classroom and no one looked up. Or all the times in between, at a desk or a sink or a jammed-up intersection, when their children surged back into awareness, when the mothers realized—a crest of guilt and fear—how long they had managed to forget them.
At the end of every day, Kate stood by herself in the center of the carpet, a checkerboard of loud colors. She held out the implausibly small knapsacks. One year, there was a father among the mothers. His face was big, nearly ugly. But he was tall and tanned and his voice was so softly beautiful that Kate let herself assume it was full of the same grief as hers.
When she looked at his tongue on her skin, she didn't believe her own body. When she lowered herself onto him, she wished she had dimples at the base of her back, hips with flesh he could hold on to. He cooked her cream sauces and meat sauces, bought expensive, oozing cheeses. For one month, she had sex with him and hoped to change shape. He told her she was warm inside, and she shook her head, unconvinced.
"Touch yourself."
He propped himself up on his elbow and watched. Kate slid her index finger inside her vagina. It was slick and smooth, except where it was rough. Were there any other muscles you could touch? It seemed as if the walls of her body were closing in around her finger. It had never occurred to her that she had walls.
Then one afternoon, while the classroom emptied, she held out the knapsack for the man's son. She was weaving his arms through the straps when she heard a woman's voice calling his name, high and kind and careless. Kate walked outside beside them. She stood in the parking lot, waving at her reflection in the mother's car window."
Kate up and left. Years later, she still repeated this phrase, she liked it so much. That up could be a verb! A house lifted right off its foundation. She pictured the moment when the whole clapboard thing hovered over its footprint, casting a shadow on the dirt.
She went to work in a cubicle where she answered two different phones and took notes on many pads. Sometimes she unplugged the phones and listened to the bleating rings and disembodied scribbling on the other side of the grey particleboard. According to company policy, the phones rang exactly one and a half times. It was boring; it delighted her.
The women in the office wore belted dresses and tortoiseshell hair clips. They enjoyed setting Kate up on dates. The men all had dependable jobs, possibly in cubicles of their own or sometimes, as they made known, in offices with multiple windows.
She was on a date with a man who had two windows when she met her second husband. They were both waiting for change, their drinks sweating in their hands. Kate saw him in the mirror behind the bar, where his face hovered above two bottles of gin. In the other corner of the mirror, beside the liqueurs, she saw the back of her date's head.
"Can you make eye contact in a mirror?" the man above the gin said.
"What?" She picked up the bills from the counter.
"If I'm looking at you from across the room," he said, "and you're looking at me. We both know we're looking."
"Ah," she said, "but if I'm looking at you in the mirror, and you're looking at me in the mirror—"
"Yes," they said at the same time.
When Kate and Felix's daughter was old enough to start nursery school, Kate put her foot down. Leah was three. She had fine yellow hair—Felix's hair—and too many teeth in her mouth.
"Not yet," Kate said.
Felix called several schools. He found one with an enlightened pedagogy and baby rabbits in the classrooms. There were no reptiles. Leah hated reptiles.
"She's ready," he said.
"Don't use the script on me," Kate shouted. "I wrote the script."
In general, she didn't shout.
"Next year," she said, more gently. "Can one more year really hurt?"
Leah wrapped herself around Felix's leg. He lifted her above his head and made her laugh. She kicked her feet, pretending to be afraid, hitting him in the chest, then in the nose.
"Be careful," Kate said, while Felix raised Leah even higher.
"It's all right. It's nothing."
Kate went upstairs. She sat at her desk, listening to them laugh. She gave herself tasks—untangled a pile of paper clips, tested her pens for ink. The desk was filled with pictures and postcards and other scraps. Mostly, they were scraps of Nick. A matchbook, a receipt with his signature, a Post-it note from the fridge: Need more ketchup. Every year she promised herself she would go through it all. She called them remnants once, but the drama of the word embarrassed her.